Who’s coming at IPEM 2022?
Building on new foundations seems like an entirely appropriate theme for IPEM 2022 given the enormity of the shifting macro and geopolitical sands we are currently witnessing.
Building on new foundations seems like an entirely appropriate theme for IPEM 2022 given the enormity of the shifting macro and geopolitical sands we are currently witnessing.
Family offices are playing it smart as they increase their allocations to private equity by investing directly in businesses that are close to their heart. The Global Family Office Report just published by UBS shows that 42% of families plan to increase these investments, with many looking to invest into businesses at an earlier stage. It makes sense given that entrepreneurial blood runs through their veins. And if it leads to higher returns…well, we all know that a Happy Family is priceless!
Sky high valuations have created conditions necessary for the Private Equity Industry to Strike Back and complete deals at prices that could yet prove to be costly. But far from engaging in weird Jedi mind tricks that are hoodwinking investors, GPs are simply responding to market dynamics and let’s face it, the galaxy is hardly at threat if the odd deal or two goes awry. Some might compare it to a Ponzi scheme but this is an industry where performance has lived up to scrutiny so maybe it’s time to relax and have a drink in the Cantina Bar. Mine’s the first round!
Building on new foundations seems like an entirely appropriate theme for IPEM 2022 given the enormity of the shifting macro and geopolitical sands we are currently witnessing.
Acquisitions of pop artists’ music catalogues are proving to be quite a hit parade for private equity groups as they look to cash in on attractive royalties. Private equity and pop music seems an unlikely collaboration with the potential risk of being a ‘one hit wonder’…anyone still remember Chesney Hawkes? Firms like UK-based Hypgnosis Songs Fund are finding their Nile Rodgers groove and acquiring huge numbers of well-known songs to generate returns. They’ve just acquired Justin Timberlake’s entire catalogue for $100 million. That’s gotta be worth making a song and dance about!
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